Mum had her portrait taken at a photography studio in Fitzroy when she was about 19. Dark hair brushed off her face,she's wearing a white silky shirt with pearl buttons on the bodice. Her lips are slightly parted, little criss-crossed top teeth peeking through- that soft-eyed look drawing you in close.
On the back in pencil is her father's handwritten note
Eileen Mary Bowden.. aged 19
In my estimation she is one-in-a-million.
I love him for this..
soft-skinned
sweet-smelling
gentle voice
calm eyes
strong grip
non-swimmer
tip-toe stepper
wise
happy whistler
heart mender
trusting light
Mother Hen
Joe Robin
daily walker
op shop tea girl
garden friend
giggler from way back
trusting, kind
loyal, patient
non-drinker of wine
steady, forgiving
persistent, true
Bold and Beautiful watcher
could this be you?!
child-like, curious
never could be furious
classy, elegant
prayerful and blessed
moon and stars
music and birds
letter-writing
phone calling
cards sending her words
memory-laden
story-teller
sister
mother
Nan
“One-in-a-million daughter”
my life-giving
friend...
kate
Friday, June 6, 2008
Thursday, May 22, 2008
head and heart..
He’s lying in bed in the palliative care unit listening to a discman. I touch his foot and he opens his eyes and smiles. He takes off the earphones, turns his body to the side and sits up slowly, pressing his hands on to the sheet to raise his back off the pillows. The knobbly bones of his shoulders are clearly visible in the light. His face is drained and thin. “Mozart” he gestures to the cd player, as though introducing me to an old friend.
In the late 70’s he is the principal at the school where my husband teaches. I have the feeling when I meet him of being in the presence of a good man. He is quiet, calm and thoughtful. He sees the best in every student. After six years as head of the school, he moves home to Sydney and although we see one another only occasionally, our friendship continues through letters and phone calls.
When his marriage breaks up he wonders how things could have gone so awry. He misses the company of his wife and young daughters and writes long, sad confessionals of the head and heart that humble me when I read them. How could I have not understood when everyone else who knew us saw it so clearly? Why didn’t anyone tell me she was so unhappy? Why?? I picture him sitting in the house alone and wonder how he’ll cope. Some time later though, the tone of the letters changes. He’s been reading a book by the Englishman Terry Waite which details his experience as a hostage in Beirut. “I had three principles firmly established: No regrets. No self-pity (it kills) and no sentimentality.” In some sense too, when I read the words that follow Waite’s I know he’s found the way to go on. It’s what we make of what happens to us that’s so important.
Then out of the blue, he develops a neurological condition which is difficult to identify and debilitating to live with. My feet feel like blocks of wood, my hands like sausages full of sawdust. It interrupts his teaching and places severe restrictions on his daily life. Each treatment he has is painful and prolonged but as time passes by, and gradually over the next eighteen months, the symptoms start to ease in their intensity and he begins to experience short periods of respite. Although the frustration of facing such slow recovery is evident, there’s also an indication that he might have come through the worst of things and is on the road to better health. He recommences swimming and light running when he feels well enough. The last line of his Christmas letter has the promise of a new start. Everything seems to be going well now. Emily scored 89% in her HSC English exam.
He flies down to Melbourne to address a school reunion. It is the 25th anniversary of the school which he pioneered and he delivers a speech that is warm and considered. I sit beside him during dinner and am shocked by the change in his appearance. His frame’s as light as a boy’s. He has difficulty breathing and eating. A fortnight after the reunion he phones and says his energy has dropped again and tells me his doctor suggests he may have cancer. There’s some doubt about this because no primary tumour has been found and he is told it could be some time before the results of tests are known. A week later however, the news is unambiguous. Cancer is well advanced in his stomach and lungs and is evident also in part of his brain. He is given a month or so to live.
My husband and I fly up to Sydney to see him. He says he wants to sit with us in the sun. I wait beside him in the ward while he slides his legs out of the bed and steadies himself to stand. His belongings are arranged like lines of thought on the bedside trolley. A teacher’s diary, a spiral note-pad and biro, a small black radio and a hardback book The War that Never Ended. The only other patient in the room is a round faced man with flushed cheeks lying in the opposite corner sleeping. In the chair beside him his wife sits reading.
Robert walks slowly out into the sunroom to a couch beneath the windows. There’s a dignity about the way he holds himself, carefully clasping his dressing gown with his hands, holding it over the lower part of his body. He’s wearing pale blue pyjamas knotted with a white tape bow high above his chest. He has no waist. I sit next to him and take his hand in mine. His fingers are lean and warm. He’s wearing his silver wedding ring again which marks the most positive thing that has come out of his illness. “A great reconciliation” he says, “she’s been marvellous to me.” The ring swims on his finger.
He’s lucid and intense in conversation and in this sense nothing’s changed. He speaks about a nurse who waited with him one evening until he fell asleep. A mother of four who had only recently returned to nursing, she tells him her children had taught her what was most important in life. We have to care for one another.
“We’ve got to be compassionate” he says “in the end it’s all that matters.”
He wonders whether I know a good poem about death and I tell him I’ll find one and then we talk about books to read and I watch as he writes down the names of these carefully on his notepad.
I ask him what’s sustaining him and he looks me in the eye. “Love” he says. “This” he nods and motions towards us sitting there. “It means so much that you’ve come to see me.” He strokes my fingers and I feel the firm grip of his hand.. I ask him what he most fears. Again his look is direct and almost boyish in its simplicity. “What tricks my body’s going to play on me” he laughs.
Old students drop by to see him while we’re there. Business men on lunchbreaks. Others phone to enquire when they can visit. Many are from Melbourne.
I find a comb in the drawer beside his bed and run it through his hair. Soft brown curls unravel in the heat then puff around his head like a halo. His fringe flops over his eyebrows and I sweep it back into shape, press the curls down and touch his head. His scalp is small and bony. His hair feels like a bundle of warm wool. I put down the comb and rub my hands along his shoulders and across the back of his neck. I’m frightened my fingers might break his skin but catch sight of his face and notice his eyes are closed and his forehead relaxed. I want to stroke his cheek and ears. Pass my wellness into him.
At the other end of the balcony stretched in a recliner and facing into the direct sun, a woman in a blue floral nightie is filing her nails. Her body is swollen and her legs are covered in bright pink welts that glisten in wetness. Now and then our conversation pauses and the rasp of her emery board is the only sound made in the long room. A plastic tube sticks out from beneath the side of her chair and carries dark yellow fluid into a crumpled bag lying on the floor. She makes no eye contact with me until we stand up to leave, then she smiles.
Mid-afternoon we say goodbye. My husband cries in his arms. Is this it? I think. I want to carry him home, feed him, make him well again. He walks with us to the door of the ward then turns and goes back. The last image I have is of a thin, determined man moving slowly towards his bed.
A week later there’s a card from him in the letterbox. Our address dips down the envelope like the broken branch of a tree. Inside, his writing’s small and firm as though each word’s been chosen deliberately the way a note of music might be before being placed onto the page. “Your love buoys me up and makes this last part of the journey easier, more acceptable somehow. Love Robert.”
No Sooner -Michael Leunig
No sooner do you arrive than it’s time to leave. How beautiful it is, how glorious, yet it’s nearly time to go. So you take it in, you take it in.
And you take a few small souvenirs, some leaves: lavender, rosemary, eucalyptus. A few small pebbles, a few small secrets, a look you received, nine little notes of music, and then it’s time to go.
You move towards the open door and the silent night beyond. The few bright stars, a deep breath, and it really is time to go.
No sooner does it all begin to make sense, does it start to come true, does it all open up, do you begin to see, does it enter into your heart…no sooner do you arrive than it’s time to leave.
Yes, it’s the truth. And then you will have passed through it, and with mysterious consequence it will have passed through you.
Kate Cahill
In the late 70’s he is the principal at the school where my husband teaches. I have the feeling when I meet him of being in the presence of a good man. He is quiet, calm and thoughtful. He sees the best in every student. After six years as head of the school, he moves home to Sydney and although we see one another only occasionally, our friendship continues through letters and phone calls.
When his marriage breaks up he wonders how things could have gone so awry. He misses the company of his wife and young daughters and writes long, sad confessionals of the head and heart that humble me when I read them. How could I have not understood when everyone else who knew us saw it so clearly? Why didn’t anyone tell me she was so unhappy? Why?? I picture him sitting in the house alone and wonder how he’ll cope. Some time later though, the tone of the letters changes. He’s been reading a book by the Englishman Terry Waite which details his experience as a hostage in Beirut. “I had three principles firmly established: No regrets. No self-pity (it kills) and no sentimentality.” In some sense too, when I read the words that follow Waite’s I know he’s found the way to go on. It’s what we make of what happens to us that’s so important.
Then out of the blue, he develops a neurological condition which is difficult to identify and debilitating to live with. My feet feel like blocks of wood, my hands like sausages full of sawdust. It interrupts his teaching and places severe restrictions on his daily life. Each treatment he has is painful and prolonged but as time passes by, and gradually over the next eighteen months, the symptoms start to ease in their intensity and he begins to experience short periods of respite. Although the frustration of facing such slow recovery is evident, there’s also an indication that he might have come through the worst of things and is on the road to better health. He recommences swimming and light running when he feels well enough. The last line of his Christmas letter has the promise of a new start. Everything seems to be going well now. Emily scored 89% in her HSC English exam.
He flies down to Melbourne to address a school reunion. It is the 25th anniversary of the school which he pioneered and he delivers a speech that is warm and considered. I sit beside him during dinner and am shocked by the change in his appearance. His frame’s as light as a boy’s. He has difficulty breathing and eating. A fortnight after the reunion he phones and says his energy has dropped again and tells me his doctor suggests he may have cancer. There’s some doubt about this because no primary tumour has been found and he is told it could be some time before the results of tests are known. A week later however, the news is unambiguous. Cancer is well advanced in his stomach and lungs and is evident also in part of his brain. He is given a month or so to live.
My husband and I fly up to Sydney to see him. He says he wants to sit with us in the sun. I wait beside him in the ward while he slides his legs out of the bed and steadies himself to stand. His belongings are arranged like lines of thought on the bedside trolley. A teacher’s diary, a spiral note-pad and biro, a small black radio and a hardback book The War that Never Ended. The only other patient in the room is a round faced man with flushed cheeks lying in the opposite corner sleeping. In the chair beside him his wife sits reading.
Robert walks slowly out into the sunroom to a couch beneath the windows. There’s a dignity about the way he holds himself, carefully clasping his dressing gown with his hands, holding it over the lower part of his body. He’s wearing pale blue pyjamas knotted with a white tape bow high above his chest. He has no waist. I sit next to him and take his hand in mine. His fingers are lean and warm. He’s wearing his silver wedding ring again which marks the most positive thing that has come out of his illness. “A great reconciliation” he says, “she’s been marvellous to me.” The ring swims on his finger.
He’s lucid and intense in conversation and in this sense nothing’s changed. He speaks about a nurse who waited with him one evening until he fell asleep. A mother of four who had only recently returned to nursing, she tells him her children had taught her what was most important in life. We have to care for one another.
“We’ve got to be compassionate” he says “in the end it’s all that matters.”
He wonders whether I know a good poem about death and I tell him I’ll find one and then we talk about books to read and I watch as he writes down the names of these carefully on his notepad.
I ask him what’s sustaining him and he looks me in the eye. “Love” he says. “This” he nods and motions towards us sitting there. “It means so much that you’ve come to see me.” He strokes my fingers and I feel the firm grip of his hand.. I ask him what he most fears. Again his look is direct and almost boyish in its simplicity. “What tricks my body’s going to play on me” he laughs.
Old students drop by to see him while we’re there. Business men on lunchbreaks. Others phone to enquire when they can visit. Many are from Melbourne.
I find a comb in the drawer beside his bed and run it through his hair. Soft brown curls unravel in the heat then puff around his head like a halo. His fringe flops over his eyebrows and I sweep it back into shape, press the curls down and touch his head. His scalp is small and bony. His hair feels like a bundle of warm wool. I put down the comb and rub my hands along his shoulders and across the back of his neck. I’m frightened my fingers might break his skin but catch sight of his face and notice his eyes are closed and his forehead relaxed. I want to stroke his cheek and ears. Pass my wellness into him.
At the other end of the balcony stretched in a recliner and facing into the direct sun, a woman in a blue floral nightie is filing her nails. Her body is swollen and her legs are covered in bright pink welts that glisten in wetness. Now and then our conversation pauses and the rasp of her emery board is the only sound made in the long room. A plastic tube sticks out from beneath the side of her chair and carries dark yellow fluid into a crumpled bag lying on the floor. She makes no eye contact with me until we stand up to leave, then she smiles.
Mid-afternoon we say goodbye. My husband cries in his arms. Is this it? I think. I want to carry him home, feed him, make him well again. He walks with us to the door of the ward then turns and goes back. The last image I have is of a thin, determined man moving slowly towards his bed.
A week later there’s a card from him in the letterbox. Our address dips down the envelope like the broken branch of a tree. Inside, his writing’s small and firm as though each word’s been chosen deliberately the way a note of music might be before being placed onto the page. “Your love buoys me up and makes this last part of the journey easier, more acceptable somehow. Love Robert.”
No Sooner -Michael Leunig
No sooner do you arrive than it’s time to leave. How beautiful it is, how glorious, yet it’s nearly time to go. So you take it in, you take it in.
And you take a few small souvenirs, some leaves: lavender, rosemary, eucalyptus. A few small pebbles, a few small secrets, a look you received, nine little notes of music, and then it’s time to go.
You move towards the open door and the silent night beyond. The few bright stars, a deep breath, and it really is time to go.
No sooner does it all begin to make sense, does it start to come true, does it all open up, do you begin to see, does it enter into your heart…no sooner do you arrive than it’s time to leave.
Yes, it’s the truth. And then you will have passed through it, and with mysterious consequence it will have passed through you.
Kate Cahill
Thursday, May 8, 2008
the red van
Outside it's drizzling and the tiny coloured flags that run the rim of the car-yard whip in the wind like pistol-fire. I’m sitting in a tin shed at the back of the yard while a salesman sprinkles HP sauce into a bag of chips, mops beads of sweat from his forehead and tells me we’re getting a bargain. I sign some papers and he gives me a key flattened and worn like an old fingernail. A 1983 van the colour of a ripened tomato is waiting under a tree on the nature strip outside. I slide its back door open, hook up the baby's safety capsule then climb into the driver's seat.
No dashboard, no bonnet, just the steering wheel, windscreen and a long drop to the road. The mirror wobbles in my palm like a weak handshake, the glove box won't shut, but the baby gurgles and the key turns in the ignition.
The bongo van.
It’s cheap to run, the motor's quiet, and with five kids it's the only way we can all travel together. My husband takes the tiny blue bomb to work each day and I get the van. A roving red shoe with every window holding the face of a child peeping out.
When I was little my siblings and I were squashed together in a station wagon. There were no seatbelts then and no thought of accidents. Dad gripped the wheel like a rudder and off we went. A couple of times a year we travelled to Melbourne to visit my grandparents. I stood up, putting my feet either side of the hump that lay in the middle of the back seat floor and because it felt like a stage I sang: all along the highway I patted Mum's shoulder and sang little tunes while she nursed a baby and stared out the window.
At ten to nine I drive the kids to school. Past the shops and up the long hill to the steel gates where I park and watch as they climb out. Some mornings they hop off like frogs ready for fun but on other days I feel like I’m unloading tired soldiers whose voices trail away to whispers on the walk towards the asphalt. In the afternoon when I pick them up again, a day's stories fill the little wagon. Lunchtime goals, a lost library book, a friend who's mean. Their voices run over one another like tangled threads that unravel into single strands as we glide down the hill towards home.
One afternoon my daughter picks the front passenger seat lock after reading a Nancy Drew book. She uses a paperclip straightened carefully into the figure seven and pushes it into the hole. The metal snaps inside the barrel like a thin bone and stays there. No key can pass that way again. Another day when they're all on board I hit the dog. As I edge onto the driveway I feel a soft thud underneath the wheels and hear a pierced yelp. In the split-second quiet that follows someone notices the back gate’s open and a chorus of PADDY!! goes up. We find him in long grass at the side of the house, chest pumping, tongue trembling in the air like ticker tape and with a pink lump on his tail. In that space beside the fence, frightened and quiet, they kneel and wait as the breathing eases, the whimper fades and he begins licking the hands that stroke him. I watch as they carry him to the shed, the youngest running on tiptoes ahead of the parade like a king's messenger. It is only later when I'm in the van by myself that I notice my leg won't stop shaking.
On Saturday afternoons I park by the fence at the football oval and watch the older boys. Dark blue thoroughbreds pounding over the dry ground towards the boundary or bogged in the centre-square while rain falls in thick sheets. I turn the wipers on full, strain my eyes to pick out their numbers from the gloom and toot when there's a goal. Some days we go to Waverley and pull in beside thousands of others on the apron of land that lies in front of the entrance. Inside the ground the Record passes up and down the benches and they dribble sauce over their jumpers. On the freeway going home they fling their scarves out the windows and stare backwards at the striped arms that stretch and dive in the dark.
Often on a Sunday we go into the city and I feel my daughter's tiny feet kicking against the upholstery as she arches forward to glimpse the river. Her river. The Yarra lying just below us, curled underneath bridges and resting beside trees like a snake in the sun.
In summer we pack up and head down to the beach. They cram their bodyboards next to the windows and on the boot's tiny floor. Bags of clothes and food lie tucked against their legs. The wind batters us on the climb up the Westgate and we struggle to go forwards, but the Bongo Van fights back. My husband puts his foot to the floor, the tyres grip the road and suddenly we're on top looking out over patchwork land and the blue-grey water of the bay. At Ocean Grove the caravan park lies across the road from the sea and the van slips into a tiny space underneath the branches of a pine. At night we lie and listen to the roll of waves and the sound of the canvas annexe shuddering like a sail in the wind. During the week we drive down the Great Ocean Road and while my eyes follow the blue line that runs away to the sky, the van hugs each curve tightly in a slow, rocking dance that lasts all the way to Lorne.
And meanwhile they're growing up and one day the baby's midway through primary school and the older boys are taking driving lessons from their Dad. Clutch- gear -accelerator are the only words that matter on the back roads and then they have their licences too! Bit by bit the van show its age: dents appear on the duco, the gearbox packs up, the grey felt carpet peels away to a red metal floor and one night the engine seizes. Everything the Bongo Van needs now lies in rows of rusting bundles at the wreckers.
The boys get their own cars and we stop travelling as a family. The younger ones don't like to be seen in the van any more. Too daggy. My husband takes it to work each morning and I have a yellow sedan. At night though I reclaim it. Two kilometres from home is the park where I walk the dog. I toss the lead onto the back seat floor and Paddy jumps in. He pokes his head through the gap in the front seat and a hot, fluttering breath hits my neck. I drive into the car park thinking of the kids, hearing their voices and remembering how they all once looked in the seats behind me. Five bodies folded against each other like the pages of a book. I slide the side door open and Paddy bolts for the track that winds like a hem around the creek. I shut the door behind him and follow.
No dashboard, no bonnet, just the steering wheel, windscreen and a long drop to the road. The mirror wobbles in my palm like a weak handshake, the glove box won't shut, but the baby gurgles and the key turns in the ignition.
The bongo van.
It’s cheap to run, the motor's quiet, and with five kids it's the only way we can all travel together. My husband takes the tiny blue bomb to work each day and I get the van. A roving red shoe with every window holding the face of a child peeping out.
When I was little my siblings and I were squashed together in a station wagon. There were no seatbelts then and no thought of accidents. Dad gripped the wheel like a rudder and off we went. A couple of times a year we travelled to Melbourne to visit my grandparents. I stood up, putting my feet either side of the hump that lay in the middle of the back seat floor and because it felt like a stage I sang: all along the highway I patted Mum's shoulder and sang little tunes while she nursed a baby and stared out the window.
At ten to nine I drive the kids to school. Past the shops and up the long hill to the steel gates where I park and watch as they climb out. Some mornings they hop off like frogs ready for fun but on other days I feel like I’m unloading tired soldiers whose voices trail away to whispers on the walk towards the asphalt. In the afternoon when I pick them up again, a day's stories fill the little wagon. Lunchtime goals, a lost library book, a friend who's mean. Their voices run over one another like tangled threads that unravel into single strands as we glide down the hill towards home.
One afternoon my daughter picks the front passenger seat lock after reading a Nancy Drew book. She uses a paperclip straightened carefully into the figure seven and pushes it into the hole. The metal snaps inside the barrel like a thin bone and stays there. No key can pass that way again. Another day when they're all on board I hit the dog. As I edge onto the driveway I feel a soft thud underneath the wheels and hear a pierced yelp. In the split-second quiet that follows someone notices the back gate’s open and a chorus of PADDY!! goes up. We find him in long grass at the side of the house, chest pumping, tongue trembling in the air like ticker tape and with a pink lump on his tail. In that space beside the fence, frightened and quiet, they kneel and wait as the breathing eases, the whimper fades and he begins licking the hands that stroke him. I watch as they carry him to the shed, the youngest running on tiptoes ahead of the parade like a king's messenger. It is only later when I'm in the van by myself that I notice my leg won't stop shaking.
On Saturday afternoons I park by the fence at the football oval and watch the older boys. Dark blue thoroughbreds pounding over the dry ground towards the boundary or bogged in the centre-square while rain falls in thick sheets. I turn the wipers on full, strain my eyes to pick out their numbers from the gloom and toot when there's a goal. Some days we go to Waverley and pull in beside thousands of others on the apron of land that lies in front of the entrance. Inside the ground the Record passes up and down the benches and they dribble sauce over their jumpers. On the freeway going home they fling their scarves out the windows and stare backwards at the striped arms that stretch and dive in the dark.
Often on a Sunday we go into the city and I feel my daughter's tiny feet kicking against the upholstery as she arches forward to glimpse the river. Her river. The Yarra lying just below us, curled underneath bridges and resting beside trees like a snake in the sun.
In summer we pack up and head down to the beach. They cram their bodyboards next to the windows and on the boot's tiny floor. Bags of clothes and food lie tucked against their legs. The wind batters us on the climb up the Westgate and we struggle to go forwards, but the Bongo Van fights back. My husband puts his foot to the floor, the tyres grip the road and suddenly we're on top looking out over patchwork land and the blue-grey water of the bay. At Ocean Grove the caravan park lies across the road from the sea and the van slips into a tiny space underneath the branches of a pine. At night we lie and listen to the roll of waves and the sound of the canvas annexe shuddering like a sail in the wind. During the week we drive down the Great Ocean Road and while my eyes follow the blue line that runs away to the sky, the van hugs each curve tightly in a slow, rocking dance that lasts all the way to Lorne.
And meanwhile they're growing up and one day the baby's midway through primary school and the older boys are taking driving lessons from their Dad. Clutch- gear -accelerator are the only words that matter on the back roads and then they have their licences too! Bit by bit the van show its age: dents appear on the duco, the gearbox packs up, the grey felt carpet peels away to a red metal floor and one night the engine seizes. Everything the Bongo Van needs now lies in rows of rusting bundles at the wreckers.
The boys get their own cars and we stop travelling as a family. The younger ones don't like to be seen in the van any more. Too daggy. My husband takes it to work each morning and I have a yellow sedan. At night though I reclaim it. Two kilometres from home is the park where I walk the dog. I toss the lead onto the back seat floor and Paddy jumps in. He pokes his head through the gap in the front seat and a hot, fluttering breath hits my neck. I drive into the car park thinking of the kids, hearing their voices and remembering how they all once looked in the seats behind me. Five bodies folded against each other like the pages of a book. I slide the side door open and Paddy bolts for the track that winds like a hem around the creek. I shut the door behind him and follow.
Thursday, April 17, 2008
Gina, our ship on legs..
Mid-autumn and the pollen's lying beneath the old tree at school once again. Yesterday I watched three Grade 1 girls scooping it up with little sticks on the wall of bricks and tiles that runs around the trunk. The story I wrote a few years ago about Gina is reprised here from a yellowed page of The Age.
Pollen dust covers the ramp and steps in the mornings. A fine yellow carpet that floats and settles near the door of the classroom. Dried and warm like sweet grass-seed, the smell carries me to the bush and the days of Gina.
We kept her in a paddock that lay across the road from home. A dusky brown heifer with the island of Tasmania in a splash of white across her muzzle. There had been others before her. Clarabelle first, then Mammy and Velvet, but Gina was the queen. Her walk set her apart. An unhurried stepping, like a ship on legs. Mum kept a diary, a small brown book where she marked our milestones such as baptisms, when we started school or who got whooping cough. Gina’s doings were listed there as well, under C for cow. La Lolla, Dad named her, but we called her Gina.
I was 10 when I began walking across by myself to get her. I wore Dad’s gumboots and carried a stick. I felt brave then, ready to hit a snake or ward off a magpie. Sometimes she’d be standing close to the gate just waiting, staring at the bowlers on the smooth square greens on the opposite side of the fence. Other days she’d be lying among the tussocks and I’d wander the maze of paths that ran towards the football ground, calling until I found her. She’d lead the way back, rocking her weight in even time along the tracks to home.
We milked her in the shed, on a concrete patch in the corner where Dad had built a bail. I had the morning shift and when it was cold I watched as steam poured from her nostrils and left watery drops on the bristles near her mouth. I bolted the plank in behind her ear, caught her tail on the nail above and tied back her leg with the cord. Each milking we gave her a handful of hay and filled her bucket with water. While she ate or drank or just stood mashing her cud, I washed the swollen udder that hung like a bag of puffy fingers below her belly. I leant against her and listened to the rumble and gurgle of milk running like a river inside. The hair just above her udder was softer and there was a secret space between the bag and her leg, a little warm pouch where my hand fitted perfectly. She’d give a sudden kick and I’d remember the milking. With the bucket held between my knees I tilted it towards the wall and started. Two pin-straight lines hit the tin and within minutes a creamy froth rose up the sides and the bucket felt warm and heavy against my legs.
Gina made milk and calves. Every year we took her to visit the bull at Davies’ farm. It was a two-mile walk we called The Long March. Dad drove the car at walking pace while we crouched down low in the back seat and held the rope that was looped round her neck. People slowed and watched as the little procession moved through the streets, past the town hall and on to the highway. “Where’s the circus?” or “Get a horse!” they yelled. We were ashamed. Dad wasn’t; he just laughed and idled the car along, his arm angled like a paddle out the window.
We left her at the farm in the front paddock where the black bull stood watching, then, after a week, returned to bring her home. She didn’t remember us. She wanted to stay. We jammed the rope in the window and held on with all our might, but as the car started up so did the bull. All along the dirt road we heard him, a hoarse angry bellowing backed by a chorus of mooing. It wasn’t until the highway that the air quietened, Gina stopped pulling against the rope and it was safe to pat her through the window. The car dropped into second gear as she padded the gravel beside the bitumen and I listened to the rhythm in her hooves.
The arrival of a calf each year was recorded in Mum’s tiny script. “On July 16th ’66, to Gina and Horace another little bull calf. Both doing fine.” Motherhood was a brief experience, however, and after a week the farmer would come and take it away. We watched the splay-footed creature calling out from the back of the ute and when I lay in bed at night I heard Gina’s sore and lonely cries carrying across the road like a broken trumpet.
In my last year at school she died. My brother found her lying by the gate with her feet sideways in the air, a piece of fence wire dangling from her mouth. Maybe she knew what was coming. The following month the bowling club expanded and her paddock became a car park. She was the last cow we kept. The small country that lay across the road became the land I never visited.
Until this year and this tree. The tree that towers over the portable classroom where I teach. The one that drops seeds and pollen dust that crisps in the sun and scents the air with a smell like hay. The one that brings back the queen and her country again.
Sunday, April 13, 2008
Remembering Kevin
Remembering Kevin
While I was reheating some spaghetti for lunch today, I began thinking about Kevin, a friend of my husband. The two of them used to teach together. Kevin was single and lived in a share house in Oakleigh. He came for dinner a few times when the kids were little. What I remember most from those nights was the way he played with them –he always went a bit crazy in the sense that some people who don’t know how to behave go overboard and excite an energy in kids that makes them loud and wild.
On the first evening he was here, after the boys had finally calmed down and gone off to bed Kevin spoke about his childhood. Like me he’d grown up in a large Catholic family with a number of siblings in each bedroom and where religion played a big part in daily life. Unlike me though, his memories of those days were mostly miserable. With 14 kids in his family- 5 more than in mine - Kevin said he never felt there was enough of anything to go round. That included love. I got the sense from listening to him that although he lived in a crowded house his childhood wasn’t much different to an orphan’s.
One Sunday sometime after we’d gotten to know him, we went to his place for lunch. The kids played out in the backyard while we sat in the kitchen and had a drink before eating. We’d brought a bottle of wine and Kevin produced 3 vegemite glasses which was fine. What I couldn’t get my head around however, was the table cloth. It was one of his sheets. The stripy flannelette kind that thins out after a few washes. The kind that carries little pills of fluff where it’s been worn away. As we sat there with him, all I could wonder was when he’d last used it. When he served up the meal- the empty bottle of Paul Newman Bolognese Sauce was on the sink beside the stove- I found I had no appetite. I had to force myself to take a few mouthfuls and drink the wine as slowly as I could.
When my husband turned 40 we had a party at home. Friends and family came and the house was alive with music and talk. Kevin arrived early in the evening but didn’t stay long. In fact he walked in the back door and passed through to the front before either of us had time to realize it. The gathering had simply overwhelmed him.
Beyond what I’ve written here, there’s not much more to say. I know before we’d met he’d been a Brother in an order in Western Australia and I also remember what my husband said -that he had no real idea about how to teach.
When he left the school at the end of the year and moved away from Melbourne it turned out to be the last we saw or heard from him. He gave no forwarding address and made no return visits. We lost touch.
In hindsight I feel ashamed I didn’t help him more but the truth is, I got tired of his company. Whenever he came round the past always came with him. It was like a bag of old stones he tipped open on the table. I wished for the day when he didn’t have his heaviness but that time never came. All I hope now in remembering him is that somewhere along the road he met someone who helped him carry the weight.
While I was reheating some spaghetti for lunch today, I began thinking about Kevin, a friend of my husband. The two of them used to teach together. Kevin was single and lived in a share house in Oakleigh. He came for dinner a few times when the kids were little. What I remember most from those nights was the way he played with them –he always went a bit crazy in the sense that some people who don’t know how to behave go overboard and excite an energy in kids that makes them loud and wild.
On the first evening he was here, after the boys had finally calmed down and gone off to bed Kevin spoke about his childhood. Like me he’d grown up in a large Catholic family with a number of siblings in each bedroom and where religion played a big part in daily life. Unlike me though, his memories of those days were mostly miserable. With 14 kids in his family- 5 more than in mine - Kevin said he never felt there was enough of anything to go round. That included love. I got the sense from listening to him that although he lived in a crowded house his childhood wasn’t much different to an orphan’s.
One Sunday sometime after we’d gotten to know him, we went to his place for lunch. The kids played out in the backyard while we sat in the kitchen and had a drink before eating. We’d brought a bottle of wine and Kevin produced 3 vegemite glasses which was fine. What I couldn’t get my head around however, was the table cloth. It was one of his sheets. The stripy flannelette kind that thins out after a few washes. The kind that carries little pills of fluff where it’s been worn away. As we sat there with him, all I could wonder was when he’d last used it. When he served up the meal- the empty bottle of Paul Newman Bolognese Sauce was on the sink beside the stove- I found I had no appetite. I had to force myself to take a few mouthfuls and drink the wine as slowly as I could.
When my husband turned 40 we had a party at home. Friends and family came and the house was alive with music and talk. Kevin arrived early in the evening but didn’t stay long. In fact he walked in the back door and passed through to the front before either of us had time to realize it. The gathering had simply overwhelmed him.
Beyond what I’ve written here, there’s not much more to say. I know before we’d met he’d been a Brother in an order in Western Australia and I also remember what my husband said -that he had no real idea about how to teach.
When he left the school at the end of the year and moved away from Melbourne it turned out to be the last we saw or heard from him. He gave no forwarding address and made no return visits. We lost touch.
In hindsight I feel ashamed I didn’t help him more but the truth is, I got tired of his company. Whenever he came round the past always came with him. It was like a bag of old stones he tipped open on the table. I wished for the day when he didn’t have his heaviness but that time never came. All I hope now in remembering him is that somewhere along the road he met someone who helped him carry the weight.
Saturday, March 22, 2008
Farewell friend
"Irish author John McGahern has died in hospital in Dublin at the age of 71." The brief news item said that McGahern's death had followed a long battle with cancer. I was shocked when I read this, I'd hoped he'd live to be 100.
I first came to his work some years ago when a friend lent me a copy of Amongst Women. He told me I might find something in the story of a man facing death and the effect it has on his children that could help me understand the way my father's dying influenced me and my siblings. I was glad I did. Amongst Women took me into the story of a family where the father at times seemed the centre of the universe. It was territory I knew.
I was hungry for more of his writing. I found a short-story collection in the local library and here I discovered an Ireland where history happened to ordinary people. The Troubles were in the living rooms as well as in the pubs. I liked the way McGahern could see the worth of little scenes in people's lives. "He poured cream from a small white jug" seemed as important as any other event in the day.
I recommended his writing to others. One night I spoke with a Scottish friend and was happy to hear that, like me, when he got to the last page of That they may face the rising sun, he slowly shut the book, then reopened it and began it again.
I found an essay that McGahern wrote some years ago about the way he came to be a writer. He remembered the surprise of being able to borrow books from a neighbour's home not long after his mother had died. "There were few books in our house, and reading for pleasure was not approved of. It was thought to be dangerous, like pure laughter."
I read the last paragraph of the same article over and over to remind me of the way to write well. "Unless technique can take us to that clear mirror that is called style - the reflection of personality in language, everything having been removed from it that is not itself - the most perfect technique is as worthless as mere egotism. To reach that point we have to feel deeply and to think clearly in order to discover the right words."
I wish that I'd written to him, to thank him for his work. Ever since Amongst Women, I'd carried the idea of doing so.
Last year I travelled to Ireland with my two eldest sons. As we drove down lanes into the mid-west I thought of John McGahern. I knew it was his country by the shelter of trees and hedges thick with a mixture of greenery and light. I wondered if we might bump into him in a shop or if I'd recognize him walking down a road.
I have a photo of him, which I found on the internet, on the desktop of my computer. He's sitting in his kitchen wearing an old pullover, kettle gleaming on the stove, mug of tea on the wooden table in front of him, staring calmly out at the world. There's a soft smile on his face and when I look at that picture I feel as if I'm in the house of an old friend.
(this was originally published in The Age in April 2006)
I first came to his work some years ago when a friend lent me a copy of Amongst Women. He told me I might find something in the story of a man facing death and the effect it has on his children that could help me understand the way my father's dying influenced me and my siblings. I was glad I did. Amongst Women took me into the story of a family where the father at times seemed the centre of the universe. It was territory I knew.
I was hungry for more of his writing. I found a short-story collection in the local library and here I discovered an Ireland where history happened to ordinary people. The Troubles were in the living rooms as well as in the pubs. I liked the way McGahern could see the worth of little scenes in people's lives. "He poured cream from a small white jug" seemed as important as any other event in the day.
I recommended his writing to others. One night I spoke with a Scottish friend and was happy to hear that, like me, when he got to the last page of That they may face the rising sun, he slowly shut the book, then reopened it and began it again.
I found an essay that McGahern wrote some years ago about the way he came to be a writer. He remembered the surprise of being able to borrow books from a neighbour's home not long after his mother had died. "There were few books in our house, and reading for pleasure was not approved of. It was thought to be dangerous, like pure laughter."
I read the last paragraph of the same article over and over to remind me of the way to write well. "Unless technique can take us to that clear mirror that is called style - the reflection of personality in language, everything having been removed from it that is not itself - the most perfect technique is as worthless as mere egotism. To reach that point we have to feel deeply and to think clearly in order to discover the right words."
I wish that I'd written to him, to thank him for his work. Ever since Amongst Women, I'd carried the idea of doing so.
Last year I travelled to Ireland with my two eldest sons. As we drove down lanes into the mid-west I thought of John McGahern. I knew it was his country by the shelter of trees and hedges thick with a mixture of greenery and light. I wondered if we might bump into him in a shop or if I'd recognize him walking down a road.
I have a photo of him, which I found on the internet, on the desktop of my computer. He's sitting in his kitchen wearing an old pullover, kettle gleaming on the stove, mug of tea on the wooden table in front of him, staring calmly out at the world. There's a soft smile on his face and when I look at that picture I feel as if I'm in the house of an old friend.
(this was originally published in The Age in April 2006)
travelling with my daughter
SHE’S BESIDE me at the wheel in tee-shirt and jeans, her hair pulled back off her face and tied in a bundle of braids, her mouth glossed with lip balm. It’s 10 in the morning and I’m travelling with my daughter on the road to Strahan following the Derwent as it spools up into the West coast …
Not far out of Hobart we pass through open farmland and small towns, and then the country becomes a still life as gum trees lining the road deepen into thick bush and the silence of forest. There’s ice in the gullies, a soft grey sky and low clouds that mist into the hills. Light rain falls. Sunshine into shadow into sunshine again. As we drive she sings along to a tape and brushes a jelly snake across the steering wheel in time to the music. The white Telstra purrs with her clear, sure voice.
Now and then a car or van passes but for most of the journey we have the road to ourselves. I write down the names of some of the waterways we’re passing. I tell her we have to say each word out loud and let the sound ripple though our heads before I can put it down. Black Bobs Rivulet, what’s a rivulet she asks and why only in Tassie? Bronte Lagoon, E-m-i-ly.. Char-lotte.... Scarlett and Raglan Creeks, make me a red jumper MUMMM…I can’t help laughing. She’s playing word tennis. When we pass over rivers - the Franklin, the Cardigan - the bridges are wide and underneath the roadway swift water the colour of tea streams by. High overhead an eagle is gliding. I watch its slow, heavy flight through the opening between the trees, see it dip as it reaches the mid-point above the road then rise and circle inside that space again. Welcome to the west.
We stop for lunch at Donaghy’s Lookout on a gravelled clearing beside the road and find a small track leading to the lookout point. A wild green forest covers the land as far as my eyes can see and I’m swept away by the thought of just being here. We’re part of all this beauty! The air’s so cold and we’re up so high that when I breathe I cough. I put my hands on the rail and feel ice on my skin. Someone’s left a message on the wood, a finger script in white crystals. LOVE IS THE ANSWER slopes across the ledge and away to the valley. I add the first word that comes to me when I read it. YES!
A large grey cat with eyes like yellow globes darts out from the undergrowth close to where we’re standing then disappears. Pussy gone w i l d she calls. We go back to the car and continue the trip. A bus heading south slides suddenly around a bend and for a moment I think we’re about to be pushed off the road. She steadies the wheel and then waves her hand calmly at the driver. I’m in awe of her confidence.
We reach Queenstown in the early afternoon. As we approach the old mining settlement, the road winds round and round a cluster of bare hills and then it’s a slow, careful descent into the town with the lunar landscape. Seeing the scarred grey earth when we arrive in the main street is like having shock therapy when you’d like a hug.
We laugh, imagining ourselves as Thelma and Louise on the freedom ride to where?
“Anywhere but here” she drawls and keeps on driving.
I think I’m 25.
A short time later we arrive in Strahan and park beside the Macquarie Harbour. A silky skein of water, deep, flat and glassy fills the basin of the Gordon river. We pick up pieces of huon pine and sassafras from the pine mill beside the gallery and the boy in the mill gives us directions to find the best views of the town. I notice his face reddening as he talks. She’s charmed him too. On our way back to the road she links her arm into mine and kisses me on the cheek. We reach the car, slip our seats back as far as they can go and listen to the water lapping at the pier.
(this originally appeared in Tasmanian Times February 2008)
Not far out of Hobart we pass through open farmland and small towns, and then the country becomes a still life as gum trees lining the road deepen into thick bush and the silence of forest. There’s ice in the gullies, a soft grey sky and low clouds that mist into the hills. Light rain falls. Sunshine into shadow into sunshine again. As we drive she sings along to a tape and brushes a jelly snake across the steering wheel in time to the music. The white Telstra purrs with her clear, sure voice.
Now and then a car or van passes but for most of the journey we have the road to ourselves. I write down the names of some of the waterways we’re passing. I tell her we have to say each word out loud and let the sound ripple though our heads before I can put it down. Black Bobs Rivulet, what’s a rivulet she asks and why only in Tassie? Bronte Lagoon, E-m-i-ly.. Char-lotte.... Scarlett and Raglan Creeks, make me a red jumper MUMMM…I can’t help laughing. She’s playing word tennis. When we pass over rivers - the Franklin, the Cardigan - the bridges are wide and underneath the roadway swift water the colour of tea streams by. High overhead an eagle is gliding. I watch its slow, heavy flight through the opening between the trees, see it dip as it reaches the mid-point above the road then rise and circle inside that space again. Welcome to the west.
We stop for lunch at Donaghy’s Lookout on a gravelled clearing beside the road and find a small track leading to the lookout point. A wild green forest covers the land as far as my eyes can see and I’m swept away by the thought of just being here. We’re part of all this beauty! The air’s so cold and we’re up so high that when I breathe I cough. I put my hands on the rail and feel ice on my skin. Someone’s left a message on the wood, a finger script in white crystals. LOVE IS THE ANSWER slopes across the ledge and away to the valley. I add the first word that comes to me when I read it. YES!
A large grey cat with eyes like yellow globes darts out from the undergrowth close to where we’re standing then disappears. Pussy gone w i l d she calls. We go back to the car and continue the trip. A bus heading south slides suddenly around a bend and for a moment I think we’re about to be pushed off the road. She steadies the wheel and then waves her hand calmly at the driver. I’m in awe of her confidence.
We reach Queenstown in the early afternoon. As we approach the old mining settlement, the road winds round and round a cluster of bare hills and then it’s a slow, careful descent into the town with the lunar landscape. Seeing the scarred grey earth when we arrive in the main street is like having shock therapy when you’d like a hug.
We laugh, imagining ourselves as Thelma and Louise on the freedom ride to where?
“Anywhere but here” she drawls and keeps on driving.
I think I’m 25.
A short time later we arrive in Strahan and park beside the Macquarie Harbour. A silky skein of water, deep, flat and glassy fills the basin of the Gordon river. We pick up pieces of huon pine and sassafras from the pine mill beside the gallery and the boy in the mill gives us directions to find the best views of the town. I notice his face reddening as he talks. She’s charmed him too. On our way back to the road she links her arm into mine and kisses me on the cheek. We reach the car, slip our seats back as far as they can go and listen to the water lapping at the pier.
(this originally appeared in Tasmanian Times February 2008)
Saturday, March 15, 2008
afternoon friend..
I sit in the sunroom after a day at school. It's hot, the air is still. I can't read the newspaper - too much is required of my eyes and head to do that. But I want to look at something to take me away from things.
In the bookcase beside me, I pick out a hardback - Michael Palin's Full Circle and put it in my lap. Lovely man, Michael. I'd travel anywhere with him. The book falls open on a coloured double paged spread showing his journey around the Pacific. A sweep of blue ocean bordered by green countries, the map is dotted by a bright yelllow trail that indicates the route he took.
I study it all for a minute or so and as I''m doing this, over the top of the page a caterpillar appears and slides across the paper.
A tiger by colouring, an emperor by birth, I watch as the furry traveller pushes through midwest Canada, into the US and out to the Pacific - the prow of its head rising up and down like a listing ship rolling across the waves. A sea breeze seems to riffle the tip of its hairs as it journeys south, then reaches shore and glides overland into Bolivia.
Suddenly it stops.
At the end of the page and the edge of a world, the caterpillar pauses and peers over the side. The railing's steep and sharp. A moment passes before it drops off the map and lands on my knees.
As it steadies then grips the hem of my skirt , all I can feel is nothing but peace that a small, brave creature should choose me for company on this long, March day.
In the bookcase beside me, I pick out a hardback - Michael Palin's Full Circle and put it in my lap. Lovely man, Michael. I'd travel anywhere with him. The book falls open on a coloured double paged spread showing his journey around the Pacific. A sweep of blue ocean bordered by green countries, the map is dotted by a bright yelllow trail that indicates the route he took.
I study it all for a minute or so and as I''m doing this, over the top of the page a caterpillar appears and slides across the paper.
A tiger by colouring, an emperor by birth, I watch as the furry traveller pushes through midwest Canada, into the US and out to the Pacific - the prow of its head rising up and down like a listing ship rolling across the waves. A sea breeze seems to riffle the tip of its hairs as it journeys south, then reaches shore and glides overland into Bolivia.
Suddenly it stops.
At the end of the page and the edge of a world, the caterpillar pauses and peers over the side. The railing's steep and sharp. A moment passes before it drops off the map and lands on my knees.
As it steadies then grips the hem of my skirt , all I can feel is nothing but peace that a small, brave creature should choose me for company on this long, March day.
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